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After fifteen years missing, police officer Conall Ó Súilleabháin's murdered mother, Sabine, is found buried in a bog. Forbidden from investigating the crime, he has to join forces with a citizen-journalist to get justice for his mother.

Crüe Fest was a summer 2008 tour by Mötley Crüe, which commenced on July 1, 2008 and concluded on August 31, 2008. It featured Mötley Crüe themselves, Buckcherry, Papa Roach, Sixx:A.M., and Trapt. Crüe Fest was said to be "the Loudest Show on Earth". The tour earned around $40 million and was the most successful, most popular festival of the summer On March 24, 2009, the Crüe Fest DVD was released. The main concert was filmed on August 28, 2008 at the Molson Amphitheatre in Toronto, with some clips filmed at the other venues of the tour. The film was directed by P.R. Brown and was filmed in high definition with 5.1 stereo audio. The DVD reached #1 on the Billboard Top Music Video Chart, selling 7,000 copies in its first week of release

In his latest short, Georges Schwizgebel directs our eye to the male-dominated world of painting, especially the way it has presented people of color. The two paintings addressed in the title are “Olympia” (1863) by Édouard Manet and “La blanche et la noire” (1913) by Félix Vallotton. Both of them depict—alongside the central female nude—a Black woman in a supporting role. Interwoven in both paintings are also several cross-references to the theme.

A sensory and poetic experience where fantasies and dreams clash with the constraints of everyday life, Chronique d'une ville questions our relationship with the bustling metropolises developing around us at a sometimes elusive pace. Magnetic and impenetrable, with their incessant flow, they attract us as much as they confine us. This film, with its immersive soundtrack, patient camerawork, and meticulous editing, takes us through the streets and winding alleys of Mexico City, Tokyo, and Montreal, where millions of individuals coexist, both alone and surrounded by others. Nadine Gomez reveals several characters whose stories intersect and echo each other, while also giving a voice to these cities that transform us as much as we transform them.

In his latest short, Georges Schwizgebel directs our eye to the male-dominated world of painting, especially the way it has presented people of color. The two paintings addressed in the title are “Olympia” (1863) by Édouard Manet and “La blanche et la noire” (1913) by Félix Vallotton. Both of them depict—alongside the central female nude—a Black woman in a supporting role. Interwoven in both paintings are also several cross-references to the theme.

The complex contradictions embedded in the social and political dynamics of today’s Cuba—often invisible to casual visitors—are unveiled in a narrative built primarily from clandestine audio recordings captured on hidden phones. The aim is to portray, from within, the complexities and contradictions of a country that leaves little room for dissent.